My instrumental music is interesting, but it's the scansion thing that makes me stand out from other composers. That's what the lyric writer brain is really good for developing, if you use perfect rhyme. I do slant some rhymes, particularly for the teenagers of my Shipwrecked score.
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But the legit counterpoint training is equally important if you want it to sound like speech. That's what I have... plus a feeling for prose and rhythm.