Look, “bro” - is this what you reckon?
That the second I write a really good piece that you suddenly “own” something you didn’t write a single bar of??
This is why I have zero plans to pursue the VUW path; Jake’s their poster child.
But my scripts and my music are entirely mine.
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I wasn’t saying I owned the chlöe film. It was not-for-profit and publicly accessible from the Parliament site.
I run a pirate radio station: what were you thinking I’d do?
It’s like the remixes and samples. What I advertised was my music, which was mine. 🎹
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8 views total for chlöefilm + title sequence, and that’s probably because I sent her a link.
While the score had a hundred or so plays...
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No plays. It has to be screen pieces.
Tina doesn’t have to be black. It’d be nice, but I'm white...
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The symphony should bloody come to me with an offer if they saw my Ads rather than this penny-ante crap. 👍
I know people heard the Preludes, and that is why I can be picky. I refuse to allow anyone to perform it who is too chicken to ask.
I shoulder-tapped the players I wanted for that piece, and that is who it’ll be.
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Sent from my iPhone
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